A cartoon drama featuring swarms of flesh-eating fiends might not sound like classic box office material, but that’s exactly what the latest Demon Slayer film proved to be.
The film set new records for Japanese animation, generating more than $70 million on its debut weekend in the United States and exceeding £535 million globally. To provide perspective, the animation landmark Ghost in the Shell, which debuted in 1995, made around £2 million worldwide.
In the intervening three decades, anime has evolved from an underground phenomena to a veritable saviour during one of the worst autumn box office downturns in modern history.
“Over the last eight years cultivating this fandom,” notes an senior from a leading anime streaming service. “Following the pandemic, that community has just continued to expand.”
One of the keys to its triumph has been the gradual cultivation of a global fanbase for franchises like Demon Slayer, which features a popular TV series and a previous box office hit with 2020’s Demon Slayer the Movie: Mugen Train.
Anime originated in Japan during the 1950s, but its definitive global breakout moment in 1988 with Akira. This futuristic tale ushered in a more grown-up, adult-oriented brand of animation whose influence can be seen throughout contemporary culture.
Today, Demon Slayer represents anime gatecrashing mainstream cinema and cementing Japanese animation as a potential rich resource in an era where IP is king. Most anime begin life as Japanese comics, providing years of backstory for studios eager to develop them into Marvel-sized franchises.
Its new international reach means anime can materialise in unlikely arenas. Olympic athletes, Premier League footballers, and other athletes have cited anime in their triumphs. Some observers have labeled the art form as “a lingua franca for young people all over the planet.”
“It forms young people’s self-expression,” states an anime writer based in Tokyo. “I think that really is fuelling this rise of anime, not just in the US, but worldwide.”
The spike in interest is also attributed to “Oshikatsu,” a fan culture of intense fanaticism amplified by phenomena like K-pop. Enthusiasts don't only watching; they are buying merchandise and posting their fandom online.
The government of Japan is betting big on anime as a key part of its “Cool Japan” strategy. This cultural diplomacy initiative aims to stimulate the national economy by leveraging dedicated fandom to drive tourism. Leaders hope the strategy can generate significant revenue annually by 2033.
This marks a step change for a country historically protective of its culture. “The domestic market was big enough for a long time,” comments the Tokyo-based expert. “It was an afterthought to share this culture internationally.”
In the world of anime streaming, giants like Netflix are significant players. The streamer states that the number of subscribers watching anime on its platform has tripled in the last five years, with voice-overs produced in dozens of languages to meet worldwide demand.
The future is filled with major stories. New films in the Demon Slayer saga are planned, although audiences will have to wait until 2027 and 2029. Before then, a live-action adaptation of One Piece and new seasons of other hit series are set for release.
The narratives are epic, but so are the financial upsides of anime’s seemingly unstoppable rise on the global stage.
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